Choral Performance by Steven E. PlankCall Number: MT875 .P53 2004
...presents a detailed discussion of various aspects of historical performance practice, especially as they relate to liturgical polyphony of the Renaissance. The author considers such issues as timbre, tempo, and rhythm, the makeup of the ensemble, articulation, ornamentation, pitch and tuning, and interpretive goals--issues in which pre-modern choral technique and modern practice have often distinctively diverged.